Seeing as Blink. is my first real artistic endeavour a studio space never really factored into the equation. Plus running the menagerie that is my home takes up another large portion of my time. So when I say I’m living with my work, I really am.
For the first few weeks it was fine, working on one canvas at a time. Then the other 24 came. And then I sketched each face onto each canvas using charcoal pencil for dark spots so that once paint was applied the sketch would peep through better. Then I hung them all around the room, the size of which meant that these black and white morgue images wallpapered my living space. This was when I realised how daunting my task was.
But because I find them beautiful and not morbid as others did I continued living this way for the past few months. When friends would visit I was met with shock and discomfort, and understandably so. I shifted from sadness to familiarity with these women long ago and I forget that I too experienced that very same guttural response. Last week I removed them from the walls, just for a change.
The only word I can use to describe it is restlessness. Constantly, I feel the need to adjust my patterns, move my paint stand, manoeuvre the room into a different configuration. I just can’t settle. Every so often I must try, to the best of my ability, defamiliarise myself with the work so that I may approach each piece with an alternative eye. As I’ve mentioned before, with Blink. I’m either in or out. I’m either intensely and solely engaged with the work or I put it to one side and welcome life back in again. Currently, my family and I are preparing for a landmark occasion and I simply know that I cannot give these women the attention and solemnity that they are owed while my mind is elsewhere. Of course this approach has it’s downsides, the work has slowed down immensely. I feel guilty, like I’m shirking my responsibilities and yet I’m sure that it’s the right decision in the long run.